Dec 16 2019

Hymn Lines: 75 Devotional Thoughts by R.G. Huff

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If you are still looking for a unique Christmas gift for your family, small group or worship and music leaders let me recommend a new book written by my friend, R.G. Huff. As a prolific hymn writer and lyricist, R.G. has created a devotional book using hymn lines from some of the great hymns of various denominations.

Hymn Lines: 75 Devotional Thoughts Based on Lines and Phrases from Great Hymns and Songs of the Christian Faith is a compilation of thoughts, personal stories and musings from R.G.’s blog: hymnlines.blogspot.com. After five years of posting over 500 hymn line devotionals, R.G. has selected 75 of those unique postings for his book that is now available on amazon by clicking the following link: Hymn Lines: 75 Devotional Thoughts. You can also order Hymn Lines on R.G.’s website: worshiprx.com where he will even sign personal copies for you.

The featured hymn selections range from the very familiar to the more obscure. The foundation for each devotional is a line or phrase that when lifted from the larger poem seems to speak for itself. Each of these texts provides a devotional thought especially appropriate for those who love the theological depth of those great hymns of our Christian faith.

I have my copy and would encourage each of you to get yours too. And as we recall some old hymn lines and learn some new ones let’s remember the exhortation of Paul that the words of Christ would dwell in us richly as we teach and admonish each other through those psalms, hymns and spiritual songs (Eph. 5:19).

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Dec 2 2019

An Argument for Punctuation in Projected Song Lyrics

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Adding punctuation to our projected text offers road signs and symbols that help frame the rhythm, flow, and phrasing of the story or poem we are singing. Most of us learned and have followed these non-verbal cues since elementary school.

A comma can tell singers where to pause for emphasis, but also indicates when a statement or question is not yet complete. A period shows singers when a verse, chorus, or phrase has ended. Additional punctuation helps singers emphasize or deemphasize certain words that might elevate or minimize theological implications. Singers might miss some of those spiritual emphases without those markers. Consequently, how would they know if what they are singing is asking a theological question or answering a doctrinal statement?

Since many of us will be singing Advent and Christmas Carols in the coming weeks you’ll see below a couple of examples of how adding or deleting punctuation can change the theological understanding of familiar carols:

So bring Him incense gold and myrrh

Come peasant king to own Him

So bring Him incense, gold, and myrrh,

Come, peasant, king, to own Him;

Without punctuation we are left confused with the peasant king oxymoron. With punctuation we understand that Christ is available to all, including peasants and kings.

God rest ye merry gentlemen

Let nothing you dismay

God rest ye merry, gentlemen,

Let nothing you dismay,

Rest you merry was a Shakespearean idiom that expressed good cheer or peace. Without punctuation it appears that the gentlemen are already merry. But with the appropriate punctuation the plea is actually for God to bring the gentlemen peace so that nothing will dismay them.

The argument that many of our songs are poetry, and consequently shouldn’t be expected to follow the same strict punctuation guidelines as prose is a valid one. But poetry doesn’t usually eliminate punctuation altogether, it instead uses it artistically to highlight the text.

Some worship leaders might be able to direct us vocally and instrumentally when those road signs are missing, but not all possess those abilities. And if we are truly trying to lead our congregations into participative instead of passive worship, then wouldn’t it make sense for leaders not to do for congregants what they already learned to do for themselves at a young age?

It is certainly easier not to add punctuation when we are preparing song slides for our worship services. But is ease what we are called to when we’re trying to encourage our congregants to leave with those texts and tunes in their hearts and on their lips for continuous worship. Punctuation can help them take those formative lyrics home with biblical and theological accuracy.

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Oct 14 2019

Top 10 Worship Word Wednesday Quotes

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I have been posting a weekly Worship Word Wednesday for a year. These are stand-alone quotes taken from my weekly Worship Evaluation Blog or my teaching notes and other writing projects. The following are the top 10 quotes from this last year according to analytics, shares, comments, likes or reposts.

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Oct 7 2019

Give Music a Rest!

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Musical rests indicate the absence of sound but not the end of the music. Rests add depth and emotion to a musical score through the use of silence. They create and relieve tension. They allow the players and singers to pause and take a breath before the next difficult musical passage. The silence of a rest creates a temporary break in the action and keeps the notes from being strung together in breathless chaos. So playing music without rests is like driving a car without brakes.

We rely on the sound of our music and words of our songs to manage and control others. A frantic stream flows from us in an attempt to straighten others out. We want so desperately for them to agree with us, to see and even sing things our way. We evaluate, judge, condemn and devour congregants with our notes. Silence as one of the deepest spiritual disciplines puts a stop to that.[1]

Scripture is certainly not silent on silence… “That’s enough! Now know that I am God” (Ps. 46:10). “Don’t be quick with your mouth or say anything hastily before God, because God is in heaven, but you are on earth. Therefore, let your words be few” (Eccles. 5:2). There’s “a time for keeping silent and a time for speaking” (Eccles. 3:7).

John Ruskin, a Victorian era English art critic said this of the silence of music and rests:

There is no music in a rest, but there is the making of music in it. In our whole life-melody the music is broken off here and there by rests, and we foolishly think we have come to the end of the tune. God sends a time of forced leisure, sickness, disappointed plans, frustrated efforts and makes a sudden pause in the choral hymn of our lives, and we lament that our voices must be silent, and our part missing in the music which ever goes up to the ear of the Creator. Not without design does God write the music of our lives. But be it ours to learn the tune, and not be dismayed at the rests. They are not to be slurred over nor to be omitted, nor to destroy the melody, nor to change the keynote. If we look up, God Himself will beat the time for us. With the eye on Him, we shall strike the next note full and clear.[2]

Worship is a divine conversation that requires not only the sound of our voices and instruments but also the silence of our hearing and listening. Our worship music noise can mute the distinct voice of God that is often only discernible in the silence. In the midst of our self-generated noise, we can miss his healing, comforting and encouraging words of hope such as “I am with you, well done, you are forgiven and I am weeping with you.”

Making noise as our only offering can create monological worship. One-sided sound can monopolize the conversation. But the foundation of meaningful worship is instead dialogical. Dialogue is an interactive exchange of two or more participants. Healthy conversations include a balance of discussion and response, listening as well as speaking.

Since God began the conversation and graciously invited us to join Him in it, our worship could then be enhanced and renewed when we stop trying to monopolize that conversation with our responsive noise only. So in order to again hear and listen to God’s side of the conversation, maybe it’s time to concur with Samuel in our services of worship, “Speak, LORD. Your servant is listening” (1 Sam. 3:9).

 

[1] Richard J. Foster, Freedom of Simplicity: Finding Harmony in a Complex World (New York: HarperOne, 2005), 68.

[2] E.T. Cook and Alexander Wedderburn, eds., The Works of John Ruskin (New York: Longmans, Green and Co., 1903), 247.

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Jul 24 2019

Worship Word Wednesday

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May 15 2019

Worship Word Wednesday

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Feb 27 2019

Worship Word Wednesday

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Feb 18 2019

Sunday Morning Karaoke

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karaoke

Karaoke singers are provided with a microphone, sound system and projected text for the purpose of imitating a familiar song originally recorded by a popular artist. They are even judged on how well (or poorly) they imitate the original artist and his or her songs.

Karaoke happens in our worship services too when we imitate the worship habits, methods, styles and even attire of other artists or congregations without considering our own gifts and calling or the calling and abilities of our players, singers and congregants.

Obviously, not all congregations are gifted with musicians who can create original songs and therefore must use the songs created by other artists and composers. The difference between using and imitating, however, is taking the time to interpret those songs through the lens of your own congregation.

Instead of imitating the worship style of other congregations, we should be trying to discover our own unique worship voice.[1] Finding the voice of a congregation is not just following a recipe for the success of other artists and congregations.

The voice of your congregation “is found by listening to its overtones. It is the voice heard and shared when the congregation prays together, eats together, cries and rejoices together. It is the voice heard and shared when a congregation works out its differences, blesses its children, buries its saints, and sings its carols of love and hope.”[2]

Sharing those events impacts the formation of the unique worship DNA of each congregation. So just imitating the worship voice of another congregation marginalizes those shared experiences for both the congregation who imitates and the one being imitated.

If God has entrusted us with the worship position and people to which He has called us, then imitating or mimicking other worship contexts marginalizes that calling. So is that really what God intended for us and the best we have to offer Him and His church?

 

[1] Constance Cherry, in Terry W. York and C. David Bolin, The Voice of Our Congregation: Seeking and Celebrating God’s Song for Us (Nashville: Abingdon, 2005), 9.

[2] Terry W. York and C. David Bolin, The Voice of Our Congregation, 9.

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Feb 6 2019

Worship Word Wednesday

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